![]() Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required. Resistors that Drifted in value replaced -output Transformer upgraded Oxford Speakers 12L reconed New Tubes amp Biased. Modifications and Repairs / Playability: The output transformer is not original and appears to be from 1960. Condition Excellent Amp Serviced all Electrolytic caps replaced Misc. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Michael Rber plays on an original 1962 Fender Bandmaster piggyback with Jensen replica speaker, '63 Fender Spring Reverb reissue and his 1965 Fender Stratoc. 2,200.00 1962 Bandmaster Piggy Back Amp Blonde -Oxblood Grille Presence Control-Brown Face panel Fender Electric Co. ![]() These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. The transformers and most of the electronic components are gone save one or two items. The chassis, plates, doghouse and eyelet boards, rectifier block out plate are all there. ![]() What you see here is the remnants of a 1962 Bandmaster. By the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). With our cookies we spoil you while shopping on our pages.With cookies we can remember your settings and provide you with better offers. The time has come to rid myself of extra stuff.
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